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https://freight.cargo.site/t/original/i/93659d498d9c1f39ba3fec4aeace45add1a55305a58099adfa288f6cc9af2187/Sue---Lilly-Boo.jpg https://freight.cargo.site/t/original/i/0ced13da5f79bfa833a8f6965afe103405dba4b09726113a3b694a9d07ae1fc7/Sue-Bowls---Lilly-Boo.jpg https://freight.cargo.site/t/original/i/d0d6e05fef537289a8fb55131ec3b47bcc897aaba9c00ffb0ea8abea8c176845/IMG_3246.jpeg https://freight.cargo.site/t/original/i/4374bbda531396bde91c9d80af89f9ba2952b0a9ffbee54c8864d9e57e08d18d/IMG_3086.jpeg https://ananthologyjoy.cargo.site/MEET-INTERNS 2021-07-30T08:44:27+00:00 always 0.5 https://freight.cargo.site/t/original/i/5513691cdfd26a2c976a7ca5de3733fa922cd1a14d283381bfaf6fed70b6d7e3/Portrait1.jpg ‘Nina Mhach Durban is preoccupied with physical and sensory ways of engaging with the diasporic experience. By way of a sculptural interaction with found images, she preserves British Asian histories through the creation of an alternative, experimental archive. Her compositions explore the power of the tangible image, post-colonial migration, and non-Western performances of femininity.’ @ninamhachdurban https://freight.cargo.site/t/original/i/b893d406a1c2a7087c6c6741deadbce1409d59e925620005ecc73d3db955a75a/12809749_10154602518828625_4235431188812520363_n.jpg “Elena Boldina - I am a Project Assistant for the Museum of Half Truths, as part of the RISE programme. As a curator I am interested in investigating how museums/galleries can better engage viewers within their spaces, particularly when it comes to art film installations. As digital technology and access to an unlimited amount of information has increased dramatically, it has become difficult to attract and hold the attention of viewers in new and captivating ways. Therefore it is important to create new engaging and exciting environments/ installations within galleries/museums in order to offer viewers another viewing platform." @elena_boldina https://freight.cargo.site/t/original/i/50a3a5cce6792084aa37b37d0cb7250ae54e5384cf19840f39c77485a29e2978/IMG_6951-copy.jpg Ellie Rankin is a visual artist working in and around the parameters of the photographic medium. Her practice takes an inquisitive and distanced approach to the medium, raising questions and investigating the declining materialistic nature of the medium as we navigate through a world becoming increasingly disrupted by screen time. For this research project, her aim is to investigate how the digital, networked, and reproduced version of an artwork/artefact can exist, evolve, and be interacted with in the digital space, as it moves from person to person and screen to screen. She is challenged and fascinated just by how each person’s understanding and engagement of work within this two-dimensional realm can be altered and effected through a questionably detached and distanced viewing experience. @errankinn https://freight.cargo.site/t/original/i/85627f56fdc43f67b2dd5616fe58f485dbab8d18d3e2b5eeebb1759e46272c95/001023030036.jpg «My name is Anastasia Morozova, I am a BA Fine Art and Curating student at Manchester Metropolitan University. My artistic practice revolves around and is significantly influenced by my curatorial work and research. Critical of institutionalised and commodified art, I centre my interest around ‘outsider art’ - folk, kitsch and vernacular aesthetics. As both an artist and a curator, I like to work with spoken and written word: domesticated lines of poems, that live in someone’s sink, city folklore, texts with no author, that simply exist on the periphery of our collective mind. I look at the state of everyday ‘inbetweenness’, at narratives that exist outside of formal settings, almost as if floating around, getting tangled in tree branches and telephone lines. As a language assistant for this project, I am working on capturing bilingual and multilingual linguistic creativity in a series of conversations about art. I am aiming to highlight how curatorial writing fails to accommodate a diverse range of manipulations with language, which are crucial for non-natives, articulating their thoughts and feelings in a gallery space.» https://freight.cargo.site/t/original/i/eee3d8b5041efc0ed1b2afbb41c40a4a4cf4ad0e353037f7a8f216bb4c509f2b/prise-de-vue-sans-titre-00740-Modifier.jpg Cinthia Baseler is an Argentinian photographer based in the UK interested in ideas surrounding identity and materiality. Her work draws from her own experiences as a migrant and her family’s passion for documenting. With a background in Linguistics and Interpreting, she is fascinated by the different ways in which we use levels of language as a form of self-expression and identity affirmation. Her work is produced primarily utilising analogue processes, although her interest in AI’s growth and implication in society has recently led her to further experiment with digital tools and audiovisual content. @cinthiabaseler https://freight.cargo.site/t/original/i/b4633841f4f618e13c6dfe69f35d5335bf81872638a5c05ee915c90fab159d99/IMG_0511.jpg My name is Paola Simoes Gomez, I am Venezuelan, and I create things. I am passionate about maths and crafts, which is why I chose to pursue my Design Engineering career. I am a Language Assistant at the Museum of Half Truths and I will be creating a compilation of funny stories related to language and culture that have happened to me (or others) over the years, with the aim to show the bright side of language/culture barriers. https://freight.cargo.site/t/original/i/aa814c21fdc5d03e9cbd2895644d0cd57f01afe5860cc7dd68689814cbed1d76/caterinaberti-.JPG Caterina Berti moved from Italy to Manchester to do her BA in Art History and Curating at MSoA. While researching and working on her curating projects, the characteristics she wants to stress the most is “interdisciplinary” and putting in dialogue different points of view from different fields - not only necessarily artistic. “For my project as a language creative assistant, I would like to investigate how knowing - or not - English or the spoken language is important while approaching art galleries and museums. Taking in consideration my personal experience as an art gallery visitor, I tried to find a creative solution to overcome the language barrier, so this is how I came ou with my project “Can you repeat?”, a website where thanks to a great collaboration with both upcoming artists and musican, we try to translate and interpret artworks’ captions and descriptions with sounds. I am constantly looking for collaborators so contact me if you would like to take part of this project!” https://freight.cargo.site/t/original/i/ca777cbf678000e37eb69b17b36d5c31c18c5f40e40338778a2b26fa63ea8605/Lim-Tze-Yan_Portrait.jpg Lim Tze Yan is a Malaysian multi-discipline artist constructing personal history through photographic medium and written text. As language research interns for the Museum of Half Truth, Tze Yan and Papa are playing a translation game with on the gap between speech, text and sound. Their main goal is to redefine English in relation to their own mother tongue, Chinese and Ga. https://freight.cargo.site/t/original/i/33818a2052ff09766f883ad6142f0c1779eda34bd4d1301baab9a48fa44742dc/moht-profile.jpg Emma Greene "I am studying Product Design and Craft at Manchester School of Art where I am practising neon bending to create neon light sculptures. Alongside this, I am looking at how to contextualise my work to prioritise playfulness, escapism and/or education in interactive, sensory public installations (such as museums). I would like to connect with the inner child to create memorable experiences and help to broaden perspectives." https://freight.cargo.site/t/original/i/e6ebaef17dc3ffc5ff6951728aa3233a87038c75c077fe87bb173854b054879b/Edits060521-14.jpg Papa Nii Akushey Quaye is a multi-disciplinary artist who draws heavily from personal experience in order to create. 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